I was asked along with my group members Beau Abery and Cara
Gaffney to create a music video. We had to choose a specific music genre and
then pick an artist and one of their songs to create a video for. As a group we
decided to recreate the music video to “Turn Back Time” by Sub Focus, which is
from the dance genre. Within my group my I was assigned the role of time
management which meant that I had to organise group meetings and the deadlines
for filming. I was also assigned the role of researching conventions within the
dance genre. From being given this role I learnt a lot as I was able to
identify what conventions we needed to include within our music video. I
believe that we worked very efficiently as a group as we communicated well
throughout the whole process and each member was aware of their specific roles.
1 In what ways does your media product use,
develop or challenge forms and conventions of real media products?
A music video is a
production that goes with a specific song and it is used to entice the
audience. It gives the audience a further insight into the song and also the
artist, helping them create relationships and attachments. Music videos are
often packed with codes and conventions that help them conform to their
specific genre. These codes and conventions can come in the form of clothing,
lighting, cinematography etc. Music videos usually fall into one of three
styles, narrative, performance or concept. The dance genre consists of many
generic conventions that are often followed. One convention that we often see
within dance music videos is the use of strobe lighting. We discovered that the
dance genre uses a lot of strobe lighting when analysing various dance videos
such as “My Love” when we can see an abundance of flashing lights during the
club scene; here we see the camera going through the night club and strobe
lights are repeatedly flashing. This is frequently displayed during club scenes
within dance music videos as it enables the audience to feel although they are
in a club and they can therefore relate with the music more. We decided to use
this convention in order to appeal to our target audience by helping them feel
although they are in a club. This can be seen within my music video when my
artist, DJ Sonic, is performing to a crowd on the DJ decks and we included the
strobe light effect by adding flashing lights on Final Cut. During this scene
the audience can see a variety of low and high angle shots showing DJ Sonic
behind a computer performing. Through including strobe lighting here we have
enticed an audience that are appealed to the dance genre as strobe lighting
goes well with the fast beat of the music.
Another convention which is often seen within dance music
videos is that they are regularly performance based throughout. This was
evident when we researched the music video “Hideaway” by Kiesza. Throughout the
video the artist is performing by dancing on the street. This helps the
audience engage with the music and they can feel although they are watching the
artist perform, helping them idolise the artist even more. Furthermore, through
keeping the music video performance based throughout, it keeps the audience
entertained as they always have something to watch. As a group we decided to
challenge this convention by including a narrative within our music video. This
narrative interweaved with the performance aspect of our video as it showed how
two people who fell out of love wished they could turn back time. The audience
can see the narrative part of our music video when we show the male characters
life juxtaposed against the female characters life as they have both taken
different paths. This is evident as the female character is homeless and the
male character is shown commuting to work. We decided to challenge this convention as we thought that it would make our music video unique and that this would appeal to our target audience.
Another convention of the dance genre is fast paced paced editing. This was evident within Calvin Haaris' music video Bounce. Within this music video we see a selection of different shots put together in quick succession. This increases the pace of the video and made it match the fast paced music. We took inspiration from this music video and incorporated fast paced editing into our music video. This can be seen during the club scene when my artist is performing on the DJ decks in front of his fans. Here we see a variety of different shots of our artist performing. We decided to conform to this convention as we felt that it helped create a link between the music and the visuals. We also thought that by including fast paced editing that we helped incorporate energy into the production, and this is another convention of the dance genre. We created fast paced editing on final cut pro X by reducing the timing of shots to speed them up. We then cut some of the shots to make them shorter.
Whilst researching and analysing existing dance music videos we discovered the conventional clothing that artists wore in their music videos. For example in Avicii's music video Levels he is wearing sunglasses and a baseball cap. We decided to conform to these conventions in our music video by dressing our artist in a plain black t shirt, sunglasses and a red baseball cap. This attire helps audiences recognise him as a DJ, making it conventional to the dance genre. Furthermore this clothing helps create a cool representation of our artist and the target audience can therefore idolise him. Furthermore this clothing helps keep the artists identity hidden. This creates a mysterious identity about our artist, leaving the audience wanting to find out more about him.
When analysing Flo Rida's video Club Cant Handle Me I discovered that there was a lot of low key lighting during the club scenes. We found that this was a convention that existed in a lot of dance music videos. We included it within our music video during our club scenes. This can be seen when our artist is performing and there is low key lighting. This low key lighting helped to create the club setting and help the audience to feel involved in the club scene. We created this convention on final cut Pro X by reducing the lighting by 20%. I believe that this worked well within our music video as it helps to create the dance atmosphere which is what our target audience want to see.
Another convention which is seen in dance videos is dancing. This was evident in Alesso's Under Control when we can see a lot of people dancing in the club. We decided to follow this convention in our music video by making our artist dance whilst performing. Through conforming to this convention we added a performance style to our music video which helped to keep the audience entertained. Furthermore it allows our audience to relate to our artist as they are likely to want to dance whilst watching the music video. This convention also helps create the club atmosphere.
The ancillary part of our project required us to create a
magazine album advert and a digipak for our chosen artist. I researched many
existing digipaks and album adverts from the dance genre, I found that there
were a lot of conventions. For example when looking at David Guetta’s digipak I
discovered that a lot of bright colours were used. These can be seen on the
front cover of the digipak where the colours red yellow and green are used, and
they are used to replicate the bright lighting that is often seen within dance
environments; this helps the audience identify that it is from the dance genre.
Within my ancillary I also wanted to make it conventional as possible so that
it would entice fans of the genre. This is evident on our digipak where we used
bright and illuminous colours against a dark background. We used the colours
pink and blue and increased their brightness using the brightness tool on
photoshop. I believe these bright colours against a dark background replicated
a club like atmosphere and allow an audience to identify which genre it is
from.
When researching and analysing existing magazine adverts I
discovered a lot of conventions for the dance genre. We looked at Calvin
Haaris’ magazine advert for his new album, and I discovered that glasses and
headphones were extremely conventional. On the advert, Calvin Haaris is shown
wearing sunglasses and headphones; this allows consumers to identify him as a
DJ and they can therefore tell that the album is likely to be from the dance
genre. I wanted to incorporate this convention into our magazine advert in
order to make it as conventional to the genre as possible. As a result of this
we made sure that our artist was wearing sunglasses during the photo shoot. We
also wanted to make him wear baseball cap as we thought that this also matched
our genre well. Through using sunglasses and a baseball cap in our magazine
advert we kept our artists identity hidden, which is often seen in the dance
genre. This urges the audience and consumers to find out more about the artist
by purchasing their products.
The majority of our music video conforms to the conventions
of the genre as we can see a lot of generic dance conventions. These are seen
in the form of mise en scene mostly and help engage an audience that are fans
of the dance genre. We did however challenge conventions of the genre by
inserting two styles in the form of narrative and performance. This goes
against what you would usually expect to see within a dance music video but I
also believe that it would help appeal to a wider audience. I believe that the ancillary part of our
project was the most conventional to the dance genre. We wanted to make it
clear to a consumer that our products were from the dance genre. I believe we
succeeded in doing this as our ancillary texts are bright and stand out, which
are both characteristics of the dance genre.
Audience feedback is importaint to the production of my music video. Creating a rough cut allowed us to show our audience what we had created for our music video, and gain feedback from them. This meant that we could improve on what we had created and make our music video more tailored towards our target audience. We showed our rough cut to a class of other media students, the feedback was fair as there was no bias opinion towards the video. A rough cut is important to make any production the best it can be; by gaining feedback we now know as a group what didn't appeal to the target audience and what we can improve to capture the dance music genre throughout the music video. We are now ready to improve our rough cut music video so that is more effective in attracting the target audience.
We recieved the feedback from our audience by screening our rough cut in front of the class. After this they was then asked to feedback what went well and what could be improved on. They would also leave tips and improvements they believed we could make which would keep their attention throughout the final cut. Each group rated our music video out of 40 by using the genuine mark scheme, this highlighted what we needed to include and take out of the production to achieve more marks. The audience we screened our video to are also media students, this meant that they're not only the target audience but they also left feedback that other viewers may not recognise.
The feedback that we have recieved will benefit our production as a whole as we are now aware of what we need to improve on. The feedback has given us a detailed outline on what the target audience thought needed to be improved on. This means we now have directv instructions on what we need to remove and add to our music video. By getting feedback it really benefits our production, not only ours but also the music industry. By talking to the audience that the videos are made for you can really achieve something that they want to see. Their opinions are the most vital and the music industry will create videos that they know will appeal to the target audience whom actually watch the productions. By improving the music video according to the feedback it would improve the music industry. The increase in the popularity will also increase the sales and revenue of the product.
Positive comments:
The use of a variety of camera angles - This is an important element in our music video as a variety of different camera angles means that the audience will not get bored of the same shots being used throughout the video. Furthermore it also means that we have portrayed each person within the music video in a different way through the yuse of camera angles.
Conventional to the genre - This comment is very pleasing for us as a group as it means that our music video is attracting fans of the dance genre. This is important for us as it means that the music video successfully targets its audience. We achieved this through a lot of colour tints and fast paced editing.
Good use of editing - The feedback also said that as a group we had a good use of editing throughout the video. The added edits conform to the genre of dance and they also help to set the mood of the video. The colour tints emphasize the mood that is generatedby the images which promotes the use of editing as a positive element within the video. The pace of the editing also matches the pace of the song which keeps the audience engaged and not confused by different timings.
Constructive comments:
Clearer narrative - The audience said that the narrative was unclear at times as it jumped from a narrative to performance. This needs to be improved by making the transuition between the two styles much smoother. The groups said how they enjoyed the narrative scenes that were already included in the video yet more should be put in so that the story becomes clearer.
Repitition - The audience feedback was that the music video became very repetitive, especially in the club scenes. As a groupn we was aware of this because we did not have enough footage to insert in the club scene. As a result of this we used the same shots to fill these gaps. We will improve on this by filming more scenes for the club part of our video.
Shaking of camera - Once again as a group we were aware that some shots were slightly off balance but we wanted to give the audience a feel of what our music video would be about within the rough cut. The rough cut introduces our ideas behind the music video and we will take on board the constructive comments to re film any shots taken without a sturdy tripod. The final cut will include all the positive shots as well as new unique angles and cinematography that will keep the audience engaged and happy with the finished product